beethoven triple concerto

Yet not even beside such giants as these as well as Solomon, Kempff and perhaps even Schnabel does Pollinis achievement pale. 3, the unprecedented Concerto for Violin, Cello and Piano was a product of Beethoven's groundbreaking "middle" period. Superb rhythmic grip, sensitivity to line and gradation of tone, a masterly control of the long paragraph; all these are features of this remarkable reading. Richard Osborne (April, 1992). Im not thinking here of the finger-wrenching challenge of actually delivering theHammerklavier, something the unbridled fury of the finale of the earlier sonata interestingly presages. In general, though, only one soloist takes the spotlight at a time, if only for a few bars. In the Second Symphony Norrington does make the music smile and dance without any significant loss of forward momentum, and he treats the metronome marks more consistently than Toscanini (who rushed the Scherzo) or Karajan (who spins out the symphony's introduction), whilst sharing with them a belief in a really forward-moving pulse in the Larghetto (again an approach to the printed metronome if not the thing itself). Comparing it with Toscaninis wellknown 1952 NBC recording finds numberless instances where a natural easing of pace helps underline essential transitions such as the quiet alternation of winds and strings that holds the tension at the centre of the first movement Orchestre Rvolutionnaire et Romantique / John Eliot Gardiner. In the finale, Bronfman and the Tonhalle provide a clear, shapely aural picture Maria Joo PirespfSwedish Radio Symphony Orchestra / Daniel Harding. MALCOLM SARGENT . Sumptuously recorded and lavishly presented (including engaging family photographs), the sonatas are offered in a sequence that gives the listener an increased sense of Beethovens awe-inspiring scope and range Xavier PhillipsvcFranois-Frdric Guypf. Ludwig van Beethoven's Concerto for Violin, Cello, and Piano in C major, Op. This is the third instalment in Franois-Frdric Guys traversal of Beethoven and the first to delve into the chamber music. () 5,000 ()!. and double bass provide the material for a vast The piano is content the Fourth Piano Concerto, the three Beethoven Concertos; Piano Concerto No.1 in C major, Op.15; Piano Concerto No.2 in B major, Op.19; Piano Concerto No.3 in C minor, Op.37; Piano Concerto No.4 in G major, Op.58; Piano Concerto No.5 in E major, Op.73 (Emperor) Rondo in B-flat major, WoO 6; Fantasia in C minor, Op.80 (Choral Fantasia) Triple Concerto in C major, Op.56 To this day, the "Triple Concerto" remains Composed in 1803, Beethoven's Triple Concerto remained unperformed for five years, until its outing at a summer music festival in Vienna in 1808. Such concertos have been composed from the Baroque period, including works by Corelli, Vivaldi, Bach and Telemann, to the 21st century, such as two works by Dmitri Smirnov. Try Op 28s finale for an ultimate pianistic and musical finesse or the opening Allegro where Lewis makes you conscious of how the musics gracious and mellifluous unfolding is momentarily clouded by mystery and energised by drama. Find many great new & used options and get the best deals for Melodiya *BEETHOVEN* Triple Concerto *RICHTER* *OISTRAKH* *ROSTROPOVICH* at the best online prices at eBay! 1. Nonetheless also his concertos for multiple instruments were retro-actively called concerti grossi. (Once or twice they cause a slight buzz of distortion for which EMI apologise in their booklet.) So palpable is the excitement of these live performances that it almost comes as a shock that the applause has been excised. At this time he was coming to terms with increasingly Of course, there are the occasional portamentos that were in general currency in the 1930s but are unfashionable now, but I can't say that I find them irksome. This is an indispensable set as revealing of the Beethoven quartets as Schnabel is of the sonatas, and if it were ever correct to speak of any performances as definitive, this is an instance when one might be tempted to do so. Not that his tempi are at all Toscanini-like. It was a time . EMI planned for a long time to assemble this starry line-up of soloists, conductor and orchestra for Beethoven's Triple Concerto, and the artists do not disappoint, bringing sweetness as well as strength to a work which in lesser hands can sound clumsy and long-winded. However, Karajan's 1962 Berlin performance (from the DG set already mentioned) is even quicker and superior in articulation, Norrington plays the Eighth Symphony's third movement as a quick dance and makes excellent sense of crotchet = 126, a marking often regarded as being beyond the pale. that it constitutes the soprano voice of the LUDWIG VAN BEETHOVEN. Beethoven's early biographer Anton Schindler claimed that the Triple Concerto was written for Beethoven's royal pupil, the Archduke Rudolf (Rudolf von Habsburg-Lothringen). And theres a real risk that in any performance of the piece the intended interplay between the three soloists is diminished by the individual musicians desire to ensure that they come out on top when an audience asks afterwards, Who was the best?The finest performances of the Triple Concerto are therefore those where ego is removed, allowing the music to become the sole star. To find out more about subscribing to this unique and endlessly fascinating resource, visit:gramophone.co.uk/subscribe. with only a little arpeggio work, and some thirds Listen to Beethoven: Triple Concerto; Overtures by Anne-Sophie Mutter, Berlin Philharmonic, Mark Zeltser & Yo-Yo Ma on Apple Music. The finale is a joyous, , and how charming is Helmchens invitation to the dance when he adds a subtle agogic accent to the very opening of the movement. It takes a major pianist standing outside the Viennese tradition to see the volatile and ageing Beethoven subsuming gamesome Classical ironies in Romantic pathos and a feeling of personal travail. The very first entry is in octaves only (as John Ogdons account has a splendidly withdrawn feeling at this point and a raptness and tranquillity that I greatly admire. What really fascinates Norrington, though, is rhythm and pulse and their determining agencies: 18th-century performing styles, instrumental articulacy (most notably, bowing methods), and Beethoven's own metronome markings. is virtually as substantial, with just under The recording is also very fine, though be sure to gauge the levels correctly by first sampling one of the tuttis. His VPO recording of Beethovens Sixth of 1971 dominated the LPcatalogue for over a decade, and has done pretty well on CD on its various appearances. Beethoven : Triple Concerto - Anne-Sophie Mutter/Mark Zeltser/Yo Yo Ma/Herbert Von Karajan/Berlin Philharmonic (LP, Vinyl record album) It may have been intended 7 (Live) by Anne-Sophie Mutter & Yo-Yo Ma & Daniel Barenboim & West-Eastern Divan Orchestra on Amazon Music. and the Emperor (E flat-B-E flat). The first movement opens with the introduction of the main sonata allegro themes in the orchestra. Watch them perform Beethoven's Triple Concerto in C Major, Op. Only a composer thoroughly versed in the production The 26-year-old Erfurt-born baritone Stephan Genz is in the first bloom of his youthful prime. International licensing, Vital energy and connoisseur-level sensitivity to original turns of phrase reign supreme in Helmchens reading of the Mozart-influenced Second Concerto, and he appropriately exchanges its skittish garments for a serious black frock-coat with the first-movement cadenza, composed much later than the surrounding music, layering the soundscape in something that could have come right out of the, Sonata. virtually all two-part polyphony, in scale passages, Discover Beethoven: Triple Concerto; Brahms: Double Concerto by Wolfgang Schneiderhan, Gza Anda, Jnos Starker, Pierre Fournier, Ferenc Fricsay released in 1999. USA e internazionale; Australia; Canada; Francia; Germania; Italia; Spagna; Regno Unito; Riguardo a noi; its muscles. Ascolta Beethoven: Triple Concerto for Violin, Cello and Piano, Op. Largo -" and more. 7) Alongside Stephen Kovacevich, whose Beethoven Piano Sonatas are equally stunning (Warner). Three classical music giants, Anne-Sophie Mutter, Yo-Yo Ma and Daniel Barenboim celebrate the 250th anniversary of Beethoven's birth by recording the Triple . Verrot (Arion - 1998)". The key to the cycles success is the quality of the musicianship. Rather, Im thinking of the imaginative and technical challenges that the emotionally complexSonata quasi una fantasiain the then alien key of C sharp minor presents to the player: first in seeking out its essence, then in distilling that essence on whatever keyboard circumstance or time provides. Certainly Idont recall the Tokyos latest middle quartets being quite as good as this. Quite frankly, you couldnt do very much better than this set. Richard Osborne(December 1983). no more than three or four bars of cadential this work. The slow movement, in A-flat major, is a large-scale introduction to the finale, which follows it without pause. And their account of the Kreutzers first movement, with its Furtwngler-like broadening at the climax of the coda, unmistakably exposes the musics portrayal of emotional turmoil. Find many great new & used options and get the best deals for Ma/Barnboim/Perlman - Classical DVD - Beethoven: Triple Concerto Choral Fantasy at the best online prices at eBay! The lonely piano recitative of the slow movement is a heart-melting moment. Spirits rise through the remainder of the rondo, with a light but distinctly pulsing rhythm (there is nevertheless an obvious polonaise right in the middle of it all) and several instances of rapid passagework for the string soloists. "meaty" sonata-form structures. AU $83.59. BEETHOVEN - SYMPHONY No 7; Triple Concerto (LSO, Haitink), London Symphony Orche - $9.28. And theres freedom aplenty in these vigorous, highly charged performances: just sample the concluding Presto of Op 9 No 1 or the opening movement of the E flat major Trio, Op 3. 2023 Los Angeles Philharmonic Association. With full, warm digital recording, there is no finer version available, combining as it does so many of the special qualities one finds in the Chung and Mutter versions on the one hand, and in the strong, incisive Krebbers on the other. Review of Vol 4: Only an extended essay could do justice to the fourth and final volume of Paul Lewiss Beethoven sonata cycle. Beethoven, Ludwig van. order respectively. Triple and violin concertos Vol 1 and 2. There are relatively few concertos among the A common feature of this, is a dotted rhythm (short-long, short-long) that lends an air of graciousness and pomp, that is not exactly "heroic" but would have conveyed a character of fashionable dignity to contemporary listeners; and perhaps a hint of the noble "chivalric" manner that was becoming a popular element of novels, plays, operas, and pictures. to play in octaves, just as in the two previous 6 (2012) 0 0 0 ! The specifically east of Vienna dimension is not merely felt in the fierier thrust of the 2/4 section of the Peasants Merrymaking. Introducing our very special Beethoven collectors' edition of Gramophone, 97 years in the making, Rob Cowan listens to Schnabel's legendary recordings of Beethoven's piano sonatas. Best of all in the Avison's performance was its sheer sense of fun. And aptly so. Your email address will not be published. In an evening of musical friendships, Dudamel brings four extraordinary artists together for memorable music making. Beautifully blended recordings, too: if youre after a top-ranking digital set of Op18, you couldnt do better though placing them in the context of a complete cycle is rather more difficult until the late quartets appear. is much liberal use of unison semiquavers, or However, there is no record of Rudolf ever performing the workit was not publicly premiered until 1808, at the summer "Augarten" concerts in Vienna and when it came to be published, the concerto bore a dedication to a different patron: Prince Lobkowitz (Franz Joseph Maximilian Furst von Lobkowitz). The themes do tend to wander, their development is rather haphazard, and there are no showy cadenzas; in the work's favor, the subtle effects for the soloists and their imaginative interplay with the orchestra must be noted. In fact, he presses on beyond that all-informing pulse in the finale. grand. the Fifth and Sixth Symphonies, and the The concerto is divided into three movements: The first movement is broadly scaled and cast in a moderate march tempo, and includes decorative solo passage-work and leisurely repetitions, variations, and extensions of assorted themes. The cello and violin share the melodic material of the movement between them while the piano provides a discreet accompaniment. Like Toscanini, Erich Kleiber, and others before him, Norrington achieves this not by the imposition on the music of some world view but by taking up its immediate intellectual and physical challenges. (Indeed some listeners, particularly those brought up on the Busch or Vegh Quartets, may find the sheer polish of their playing gets in the way, for this can be an encumbrance; late Beethoven is beautified at its peril). Perlman's first entry couId hardly be more deceptive, that ladder-like climb of spread octaves which many virtuosi (Anne-Sophie Mutter on DG for example) present commandingly, but which Perlman plays with such gentleness that he emerges almost imperceptibly from the orchestra. composed between April-September 1804. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. . Beethoven's imposing triple concerto, is a masterclass in composition for a trio of solo instruments and orchestra. Free postage. Beethoven:triple Concerto [DVD] AU $46.70. The concerto follows all the expected patterns. A new Beethoven cycle which manages to combine the shock of the new with an uncanny sense of familiarity. Fischer is quicker in the slow movement where he retains that mm=72 pulse which can plausibly inform all four movements. Such playing is hardly for lovers of histrionics or inflated rhetoric, but rather for those in search of other deeper, more refreshing attributes, for Beethovens inner light and spirit. I was out of my seat at the end of the Seventh and I can only assume that a patch was made of the final pages, because no audience could conceivably have contained itself. by the cello (playing in such a high register It does not seek to banish all conventional wisdom about the pieces, but it has asked a lot of questions about them, as interpreters should, and I warm to it not only for the boldness of its answers but for finding so many of the right questions to ask Read the full review in the Reviews Database, Paul LewispfBBC Symphony Orchestra / Ji Blohlvek. The following minor-key variation shows how both players can bring flexibility and fluidity to their performance, with the confidence that they will be sympathetically accompanied. What is certain is that the Concerto met with little success at its premiere. The difference in Corelli's and Vivaldi's approach towards concertos for multiple soloists, as well in style as regarding the name that was used for them, has been explained as relating to differences in music traditions in Rome (where Corelli lived) and Venice (where Vivaldi lived). FOR SALE! an animated dialogue between the piano trio Three classical music giants, Anne-Sophie Mutter, Yo-Yo Ma and Daniel Barenboim celebrate the 250th anniversary of Beethovens birth by recording the Triple Concerto. The reason for the daring venture is said to have been to provide the Archduke Rudolph, then a 16-year-old student of the composer, with a performing vehicle that would not be as demanding as a solo concerto. the strings so as not to hinder their own tessitura. 56, No.2 Largo Attacca, Live at Philharmonie, Berlin (2019). All Rights Reserved. Indeed, I am not sure that Pollinis account of the Hammerklavier is not the most impressive currently before the public, though the instant such thoughts are penned, the noble performances of Eschenbach, Arrau, Brendel and Ashkenazy spring to mind. 500 bars. The resemblance here to Karajans 1962 Berlin recording is uncanny, doubly so given the quality of playing and direction needed to bring off a reading of such pace, poise and beauty. The finales heading, Beneficent feelings bound with thanks to the Godhead, confirms the concept but it is rare nowadays to hear it realised. And here you sense that she is among those truly great artists who, in Charles Rosens words, appear to do so little and end by doing everything (his focus on Lipatti, Clara Haskil and Solomon) Murray PerahiapfConcertgebouw Orchestra / Bernard Haitink. The most famous example is Beethoven's Triple Concerto for violin, cello and piano. for a concert in spring of that year. Usually, you get po-faced seriousness when a big orchestra and three star names try to out-do each other, as the cello, violin, and piano soloists fight for the limelight. Two concertos for three harpsichords and string orchestra: This page was last edited on 18 December 2021, at 16:47. Sign up here for a fresh list of classical music performances, delivered to your inbox every week. The Busch's Beethoven set standards by which successive generations of quartets were judged and invariably found wanting! I don't like to use the term "best" when I describe musicians, for several reasons: first, I am not really an authority . The lonely piano recitative of the slow movement is a heart-melting moment. Israel PhilharmonicZubin Mehta - conductorYefim Bronfman - piano Pinchas Zukerman - violinAmanda Forsyth - cello 7 for three pianos, Ludwig van Beethoven's Triple Concerto for violin, cello and piano, and Dmitri Smirnov's Triple Concerto No. In many ways, its an odd work: theres very little conversation between the instruments and the orchestra, with nearly everything of interest being played by the soloists. The Scherzo, as befits its character, is also equivocal; the playing of the Trio and the dance's quietly elaborated reprise is a rare treat for the ear, though the tempo seems slow for so obviously ironic a piece. 56 - 2. [5]:162, In the published version, the concerto bore a dedication to a different patron: Prince Lobkowitz.[2]. to provide Beethoven with an annuity of 4000 paragraph before the cello, violin and piano Like Furtwngler in his 1953 studio recording, Abbado leads a viscerally charged performance that flies to the very heart of the matter, and does so in a version which, stripping away much of the spoken dialogue, recreates Beethovens lofty Singspiel as musical metatheatre Jurinac; Vickers; Frick; Hotter; Chorus and Orchestra of the Royal Opera House, Covent Garden / Otto Klemperer. Free shipping for many products! At first glance, you might expect a three-for-the-price-of-one concerto experience, with the violin, cello and piano all happily co-existing . No one, however, quite matches Pollinis stunning finale: its strength and controlled power silence criticism. . From the first note, Osbornes kinship with the composer is everywhere apparent and he conveys the vast contrasts of the last three sonatas unerringly. BEETHOVEN:TRIPLE CONCERTO. There are some famous gabbles in this sonata cycle, notably at the start of the Hammerklavier, with him going for broke. Her playing has a warmth and eloquence that made me think back to. The trio rushes through a penultimate breakneck episode, but slows down for its last, dance-like section while the orchestra keeps trying to cut in with a big, affirmative conclusion. For the recorded sound, theres nothing that can be done about the occasional patch of wow or discoloration but, in general, the old recordings come up very freshly. of chamber music and attentive to the needs and the scale of the triple concerto is correspondingly similar formula is proposed in the third movement. of other instruments could have produced such The first movement has over 530 bars a keen music lover and violinist who, having They suit Norrington's temperament and musicological preoccupations unusually well. and without undue pomp. was published in 1807 in Vienna, yet it had A new music service with official albums, singles, videos, remixes, live performances and more for Android, iOS and desktop. Also unusually, the exposition modulates to A minor instead of the expected G major. The concerto is appealing in its melodic material and the intricate interactions among the soloists and orchestra. On the evidence of this magnificent issue, Klemperer was right. Throughout these two performances the contributions of horns, trumpets and drums most rivet the attention (the introduction to the Second Symphony's first movement is glorious); by contrast, the woodwinds have, to modern ears, an almost rustic charm, a naif quality which technology and sophisticated playing techniques have to some extent obliterated. Ever inventive, creative and original, here Beethoven stages a lavish musical feast over-flowing with melody, a feast. The tempo is spacious, apt to Gilels's mastery of the music's anisometric lines and huge paragraphs, paragraphs as big as an East Anglian sky. His aim was to develop the work from silence and keep the usual frenzied sonorities within bounds. Find many great new & used options and get the best deals for Beethoven: Piano Concerto No 2, Triple Concerto, Bernard Haitink,London Symphony at the best online prices at eBay! In fact, the metronomes are good in the Second Symphony, the Larghetto apart, and in the middle movements of the Eighth, but not in the Eighth's quick outer movements. Triple and violin concertos Vol 1 and 2. Rob Cowan (February 2008), The 1984 Gramophone Award in the chamber-music repertory went to the Lindsay Quartet's set of the late Beethoven quartets and it is a measure of the inexhaustibility of these great works that they have also claimed 1985's vote. Kempff 285163048299. His account of the Fifth also bristles with character Budapest Festival Orchestra / Ivn Fischer. Rondo alla polacca, Mark Zeltser, Anne-Sophie Mutter, Yo-Yo Ma, Berliner Philharmoniker, Herbert von Karajan. The finale is a joyouspas de deux, and how charming is Helmchens invitation to the dance when he adds a subtle agogic accent to the very opening of the movement. The second movement, Largo, is far more compact. 3. In November I was humming and hawing over Sir Simon Rattles fascinating but fussy Fifth with the VPO (EMI). True, there are moments of grandeur but the overall impression is of a poised, at times chamber-like traversal, with sculpted pianism and crisply pointed orchestral support. Examples of triple concertos include Johann Sebastian Bach's Triple Concerto, BWV 1044, with solo parts for violin, flute and harpsichord, Wolfgang Amadeus Mozart's Concerto No. And what a line-up: three supreme Soviet artists, for whom Czechoslovakia represented a taste of freedom while the West remained out of bounds. Free--indeed unaware--of technical problems, they give it a joyful, sparkling lightness. Otherwise, These performances are so superb that despite their sonic limitations I still think it possible to recommend them to younger non-specialist collectors, even in these days of the Compact Disc. Hablas espaol? Pollinis account is simply staggering, for if there are incidental details which are more tellingly illuminated by other masters, no performance is more perfect than this new version. Lobkowitz was also the dedicatee of Based on Italian models, Johann Sebastian Bach composed concertos for multiple instruments, including his Fourth Brandenburg Concerto, BWV 1049, with solo parts for violin and two recorders,[1] his Fifth Brandenburg Concerto, BWV 1050, featuring violin, flute and harpsichord,[1] the Concerto, BWV 1044, for the same soloists,[1] and two concertos for three harpsichords and string orchestra.[2]. What follows is an untrammelled Allegro vivace, two-in-a-bar as marked, tempo changes graphic, every sforzando or accent stabbing the texture, Isserlis unfurling the vehemence also implicit in his lines Review of Vol 3: This third disc concludes Ibragimova and Tiberghiens live set of the Beethoven sonatas. But so far as sheer quartet playing is concerned, it is likely to remain unchallenged. It is great fun, though, and its rare appearance on . Receive a weekly collection of news, features and reviews, Gramophone Not only has Helmchen matured in his pianism but he is given wings by an orchestra that shares intimate moments with the piano at one point and twirls with it at the next. It's one of those pieces that never seems to get a . Buy music books Beethoven, Ludwig van. The truth is that the Triple Concerto isn't a concerto at all, since there's no real dialogue between the orchestra and the soloists, and the three soloists carry virtually all of the musical argument themselves. The clarity and warmth of the recording (from Snape Maltings) is as remarkable as the playing. London Classical Players / Sir Roger Norrington. by the string soloists, the piano behaving obediently exactly as in the largo. However, If the volume is set too high at the start, you will miss the stealing magic of Gilelss and the orchestras initial entries and you will be further discomfited by tape hiss that, with the disc played at a properly judged level, is more or less inaudible Itzhak PerlmanvnPhilharmonia Orchestra / Carlo Maria Giulini. Pairing the Concerto with the Seventh Symphony, the album also marks the 20th birthday of the West-Eastern Divan Orchestra.The Triple Concerto has a special place in Beethovens oeuvre, revealing his revolutionary spirit and ingrained humour both in its sophisticated architecture and in its musical idiom. already been anticipated in 1802 by fairly substantial Visita nuestra pgina web en espaol. of balance between resources (violin, cello, The Champlain Trio violinist Letitia Quante, cellist Emily Traubl and pianist Hiromi Fukuda will be the featured soloists with the Vermont Philharmonic in Beethoven's "Triple Concerto" Feb. 11 at the Elley-Long Music Center in Colchester and Feb. 12 at the Barre Opera House. Daringly, Fischer has the horn-call which ushers in the finale met for the first eight bars by a solo violin as the shepherds hymn steals in upon the air. Written in A flat major, this movement is highly cantabile and poetic, with the cello first singing out the theme at some length. largely a two-part affair. The choice of the three solo instruments effectively makes this a concerto for piano trio, and it is the only concerto Beethoven ever completed for more than . But they could be called idiosyncratic from Harnoncourt would you have expected anything less? One things for sure: never before has this indelible masterpiece sounded more like a profound precursor of Paganini Jascha HeifetzvnNBC Symphony Orchestra / Arturo Toscanini. The "Polish" designation has to do with the rhythm rather than any appropriations of folk tunes. On his rival L'Oiseau-Lyre disc (3/86), also played with period instruments, Hogwood broadens the slow introduction in the Karajan manner. Violin and Cello Sonatas display similar restraint World wide shipping . The flute, oboes, trumpets, and timpani are tacet during the second movement. Popular recordings of the Triple Concerto include the following: Beethoven Triple Concert Barenboim, Yo-Yo Ma & Perlman (Mov.2Part.1), Simn Bolvar Youth Orchestra of Venezuela, "Masterclass: Jan Vogler on Beethoven Cello Sonata op.69", International Music Score Library Project, https://en.wikipedia.org/w/index.php?title=Triple_Concerto_(Beethoven)&oldid=1135506742, This page was last edited on 25 January 2023, at 01:58. On disc, it hasn't fared much better, and there's an infamous Herbert von Karajan recording from 1969 with David Oistrakh on violin, Sviatoslav Richter on piano, and cellist Mstislav Rostropovich: it's a nadir of gigantic egos trying to trump each other, a bonfire of the vanities from which Karajan and the Berlin Phil still somehow manage to emerge victorious. cadenza just alter the recapitulation comes 56: II. in broken octaves when the piano is flexing 56 - 2. 15: I. Allegro con brio MP3 song from the movie/album Bach, Mozart & Beethoven: Concertos.With Wynk Music, you will not only enjoy your favourite MP3 songs online, but you will also have access to our hottest playlists such as English Songs, Hindi Songs, Malayalam Songs, Punjabi Songs . As month follows month and more and more live performances appear, our perspective on the purpose of recordings seem to be changing. Of the LP reissue he wrote: On the whole, the recording is so dead and artificial that at times the thin line of violin sound reminds one of something from the golden age of Thomas Edisons tinfoil cylinder rather than 1940. Early CD transfers suggested that all was not lost but even they barely anticipated the extraordinary fineness of the sound we now have on this transfer by archivist and restorer Mark Obert-Thorn David OistrakhvnMstislav RostropovichvcSviatoslav RichterpfBerlin Philharmonic Orchestra / Herbert von Karajan, These are illustrious performances and make a splendid coupling at mid-price. The concertante is a step-child of the concerto grosso of fifty years and more previous, and it had enjoyed a great vogue in the 1770s in Paris and Mannheimcities Mozart visited during his travels of 1777-78 . If Schnabels Hammerklavier was not one of the triumphs of his pioneering cycle, its surface roughness worked in its favour in that the listener was never distracted from the spirit by the beauty of the letter.

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